One For the Birds

I'm feeling a bit whimsical, so I decided to follow this thought for where ever it might lead. (Bear with me as this could get dangerous.)

I believe you will find a wide variety of subjects dealt with herein. So, sit back, relax and I'm sure you will enjoy something in this lens or else, you will benefit from the peaceful rest you get as you drop off to sleep from sheer boredom.

An Amazon reviewer says, " This is the largest of the 4 cages I bought from this seller and we are completly satisfied with this purchase. We purchased this cage for 2 quakers and there is not only enought for them but room for their toys. I had priced cages at the local pet store and was shocked that I could not only get a bigger cage but more cage for the money with this seller.

Assembly was not as fast as the other three that we had to put together but that may be because we were putting 4 cages together at the same time.

This cage is heavy and that is a good thing because when the quakers start flying around and jumping around, there is no worry that they will move their cage around like they did in the other cage.

The stand is also a nice touch and we can move them around with ease.

If you are looking for a nice large cage at a great price, this is the cage for you

When Elvis-like rock & roll star Conrad Birdie is drafted into the military, the teen nation is united by a contest in which the winner bestows a farewell kiss upon their idol while on the Ed Sullivan Show. Ann-Margret (in her film debut) is the lucky little lady from Sweet Apple, Ohio, who wins the contest, much to the chagrin of her steady beau (Bobby Rydell) and miserable parents (Paul Lynde and Mary LaRoche). Dick Van Dyke and Janet Leigh are an older couple kept from marrying by his meddlesome mother, played to the hilt by Maureen Stapleton. Lightweight but fun, this features an exuberant soundtrack with such memorable ditties as "Put on a Happy Face" and "Kids" and the title track. This is a much better choice than the lackluster, 1995 made-for-TV version. --Rochelle O'Gorman

Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. The director elevated an unknown model, Tippi Hedren (mother of Melanie Griffith), to being his latest cool, blond leading lady, an experience that was not always easy on the much-pecked Ms. Hedren. Still, she returned for the next Hitchcock picture, the underrated Marnie. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton

This is a bird's nest.

2 cooked chicken thighs

2 chicken cubes

4 c. water

2 tbsp. plain gelatin dissolved in 1/4 c. of water

2 c. cooked fine egg noodles

1 slightly beaten egg

1 tsp. lemon juice

Cook chicken in 4 cups of water. Add 2 chicken cubes. Cook chicken for half an hour at medium heat; first 10 minutes, covered. Remove chicken from pot. Cut chicken in small pieces. Put back in broth. Add 2 cups of cooked fine noodles. Add dissolved gelatin into broth. Add lemon juice. Add slightly beaten egg slowly while stirring.

Authentic Bird's Nest Soup

Authentic bird's nest soup is made using the nests of the swiftlet, a tiny bird found throughout southeast Asia. The swiftlet lives in dark caves, using a method of echolocation similar to the bat to get around. Instead of twigs and straw, the swiftlet makes its nest from strands of its own gummy saliva, which hardens when exposed to air. Humans who harvest the swiftlet nests often come from families that have made their living this way for generations. Prying the nests from the cave walls is extremely dangerous, and many harvesters die each year.

Once the nests are harvested, they are cleaned and sold to restaurants, where they are served simmered in chicken broth. While I have never tried authentic bird's nest soup, apparently it is an acquired taste - many westerners think it tastes quite rubbery the first time they try it. However it is quite popular throughout Asia, perhaps because it has the reputation of being an aphrodisiac. It is also costly; many western restaurants serve a less expensive version consisting of soup with noodles shaped to resemble a bird's nest.

Life back in London is proving too much for 'old China hand', Oliver Swain. So caught up in mourning his cushy years overseas, where being civil meant only that you were getting your own way, he is now feeling more like prey than predator. When an unexpe

This gingerbread style birdhouse is really made of wood, but looks scrumptuously delicious anyway.

A Lovebird is one of nine species of the genus Agapornis (Greek: αγάπη agape 'love'; όρνις ornis 'bird'). They are a social and affectionate small parrot. Eight species are native to the African continent, while the Grey-headed Lovebird is native to Madagascar. Their name stems from the parrots' strong, monogamous pair bonding and the long periods in which paired birds will spend sitting together. Lovebirds live in small flocks and eat fruit, vegetables, grasses and seed. Black-winged Lovebirds also eat insects and figs, and the Black-collared Lovebirds have a special dietary requirement for native figs, making them problematic to keep in captivity.

Some species are kept as pets, and several color mutations were selectively bred in aviculture. Their average lifespan is 10 to 15 years.

Tweety Pie (also known as simply Tweety) is a fictional Yellow Canary in the Warner Bros. Looney Tunes and Merrie Melodies series of animated cartoons. The name "Tweety" is a play on words, as it originally meant "sweetie", along with "tweet" being a typical English onomatopoeia for the sounds of birds. His characteristics are based on Red Skelton famous "Mean Widdle Kid". Tweety appeared in 48 cartoons in the Golden Age.

Despite the perceptions that people may hold, owing to the long lashes and high pitched voice of Tweety, Tweety is male.[citation needed] This was established several times in the series "Sylvester and Tweety Mysteries". It was also confirmed toward the end of "Snow Business" when Granny exclaimed to Tweety and Sylvester, "Here I am, boys!" On the other hand, his species is ambiguous; although originally and often portrayed as a young canary, he is also frequently called a rare and valuable "tweety bird" as a plot device, and once called "the only living specimen". Nevertheless, the title song directly states that the bird is a canary. His shape more closely suggests that of a baby bird, which in fact is what he was during his early appearances (although the "baby bird" aspect has been used in a few later cartoons as a plot device). The yellow feathers were added but otherwise he retained the baby-bird shape.

Attract birds - not mosquitoes! Because birds love moving water, Water Wiggler works great to attract birds! And it helps prevent the spreading of West Nile virus by eliminating stagnant water in bird baths. Water Wiggler's unique agitator action creates continuous ripples in water, which prevent mosquitoes from laying eggs in bird baths. Easy to install! Just place the small dome in bird bath and go! No wiring and no plumbing. Operates silently on two D-cell batteries for up to two months of continuous use. May also be used with heated bird bath in winter.

Larry Joe Bird (born December 7, 1956) is a former American NBA basketball player and coach. Drafted into the NBA sixth overall by the Boston Celtics in 1978, Bird started at small forward and power forward for thirteen seasons, spearheading one of the NBA's most formidable frontcourts that included center Robert Parish and forward Kevin McHale. Due to chronic back problems, he retired as a player in 1992. Bird was voted to the NBA's 50th Anniversary All-Time Team. in 1996 and inducted into the Naismith Memorial Basketball Hall of Fame[2] in 1998. He served as head coach of the Indiana Pacers from 1997 to 2000. In 2003, he assumed the role of president of basketball operations for the Pacers, which he currently holds.

Pack up all my care and woe,

Here I go,

Singing low,

Bye bye blackbird,

Where somebody waits for me,

Sugar's sweet, so is she,

Bye bye

Blackbird!

No one here can love or understand me,

Oh, what hard luck stories they all hand me,

Make my bed and light the light,

I'll be home late tonight,

Blackbird bye bye.

Pack up all my care and woe,

Here I go,

Singing low,

Bye (bye) bye (bye) blackbird.

(tchoo tchoo tchoo tchoo tchoo tchoo)

Where somebody waits for me,

Sugar's sweet, so is she,

Bye (bye) bye (bye) blackbird.

(tchoo tchoo tchoo tchoo tchoo tchoo)

No one here can love or understand me,

Oh, what hard luck stories they all hand me,

(Oh oh oh oh)

Make my bed, light that light,

I'll be home late tonight,

Blackbird...

Make my bed and light the light,

I'll be home late tonight,

Leave you bird jet in the sky

Toodle oo!

Farewell!

Bye bye!

Blackbird

(Blackbird,Blackbird)

We'll take the flying little blackbird bye!

Big Bird is a protagonist of the children's television show Sesame Street. Big Bird, like many of the other Sesame Street characters, is a Muppet character. He is sometimes referred to simply as "Bird" by his friends.

Officially performed by Caroll Spinney since 1969, he is an eight-foot two-inch (249 cm) tall bright primrose-yellow bird.[2] He can roller skate, ice skate, dance, sing, write poetry, draw and even ride a unicycle. But despite this wide array of talents, he is prone to frequent misunderstandings, on one occasion even singing the alphabet as one big long word (ABC-DEF-GHI), pondering what it could ever mean. He lives in a large nest behind the 123 Sesame Street brownstone (which had to be completely rebuilt during Season 32 after it was destroyed by a hurricane) and he has a teddy bear named Radar, after Walter "Radar" O'Reilly of M*A*S*H, who had a teddy bear and was also lovably naive and innocent. Radar was given to Big Bird by Gary Burghoff when he guest-starred on the show.[3][4] Later on, however, it was said that Big Bird got the bear as a gift from Mr. Hooper.

Sing a song of sixpence a pocket full of rye,

Four and twenty blackbirds baked in a pie.

When the pie was opened the birds began to sing,

Oh wasn't that a dainty dish to set before the king?

The king was in his counting house counting out his money,

The queen was in the parlour eating bread and honey

The maid was in the garden hanging out the clothes,

When down came a blackbird and pecked off her nose!

The Byrds (play /ˈbɜrdz/) were an American rock band, formed in Los Angeles, California in 1964. The band underwent multiple line-up changes throughout its existence, with frontman Roger McGuinn (aka Jim McGuinn) remaining the sole consistent member until the group disbanded in 1973. Although they only managed to attain the huge commercial success of contemporaries like The Beatles, The Beach Boys, and The Rolling Stones for a short period of time (1965–66), The Byrds are today considered by critics to be one of the most influential bands of the 1960s. Initially, they pioneered the musical genre of folk rock, melding the influence of The Beatles and other British Invasion bands with contemporary and traditional folk music. As the 1960s progressed, the band was also influential in originating psychedelic rock, raga rock, and country rock. In addition, the band's signature blend of clear harmony singing and McGuinn's jangly twelve-string Rickenbacker guitar has continued to be influential on popular music up to the present day. Among the band's most enduring songs are their cover versions of Bob Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn! (to Everything There is a Season)", along with the self-penned originals, "I'll Feel a Whole Lot Better", "Eight Miles High", "So You Want to Be a Rock 'n' Roll Star", "Ballad of Easy Rider" and "Chestnut Mare".

Strelitzia (play /strɛˈlɪtsiə/) is a genus of five species of perennial plants, native to South Africa. The genus is named after the duchy of Mecklenburg-Strelitz, birthplace of Queen Charlotte of the United Kingdom. A common name of the genus is bird of paradise flower, because of a supposed resemblance of its flowers to the bird of paradise. In South Africa it is commonly known as a crane flower.

The species S. nicolai is the largest in the genus, reaching 10 m tall, with stately white and blue flowers; the other species typically reach 2 to 3.5 m tall, except S. caudata which is a tree of a typically smaller size than S. nicolai. The leaves are large, 30–200 cm long and 10–80 cm broad, similar to a banana leaf in appearance but with a longer petiole, and arranged strictly in two ranks to form a fan-like crown of evergreen foliage. The flowers are produced in a horizontal inflorescence emerging from a stout spathe. They are pollinated by sunbirds, which use the spathe as a perch when visiting the flowers; the weight of the bird on the spathe opens it to release the pollen onto the bird's feet, which is then deposited on the next flower it visits.

Click Here to Play Angry Birds Online for Free.

Feathers are one of the epidermal growths that form the distinctive outer covering, or plumage, on birds and some theropod dinosaurs. They are considered the most complex integumentary structures found in vertebrates, and indeed a premier example of a complex evolutionary novelty. They are among the characteristics that distinguish the extant Aves from other living groups. Feathers have also been noticed in those Theropoda which have been termed feathered dinosaurs. Although feathers cover most parts of the body of birds, they arise only from certain well-defined tracts on the skin. They aid in flight, thermal insulation, waterproofing and coloration that helps in communication and protection.

Claudia Alta "Lady Bird" Taylor Johnson (December 22, 1912 – July 11, 2007) was First Lady of the United States from 1963 to 1969 during the presidency of her husband Lyndon B. Johnson. Throughout her life, she was an advocate for beautification of the nation's cities and highways and conservation of natural resources and made that her major initiative as First Lady. After leaving the White House in 1969 and her husband's death in 1973, Lady Bird became an entrepreneur, creating the $150 million LBJ Holdings Company, and was a recipient of the Presidential Medal of Freedom and the Congressional Gold Medal, the highest US civilian honors.

The dodo (Raphus cucullatus) was a flightless bird endemic to the Indian Ocean island of Mauritius. Related to pigeons and doves, it stood about a meter (3.3 feet) tall, weighing about 20 kilograms (44 lb), living on fruit, and nesting on the ground.

The dodo has been extinct since the mid-to-late 17th century.[2] It is commonly used as the archetype of an extinct species because its extinction occurred during recorded human history and was directly attributable to human activity.

The phrase "dead as a dodo" means undoubtedly and unquestionably dead, whilst the phrase "to go the way of the dodo" means to become extinct or obsolete, to fall out of common usage or practice, or to become a thing of the past.

Robert Franklin Stroud (January 28, 1890 – November 21, 1963), known as the "Birdman of Alcatraz", was a federal American prisoner who reared and sold birds and became an ornithologist. Despite his nickname, he actually only kept birds at Leavenworth penitentiary, prior to being transferred to Alcatraz, where he was not allowed to keep pets.

Birdman of Alcatraz (1962, Not Rated, 149 minutes): How does bitter convict Robert Stroud (Burt Lancaster) cope with a lifetime of solitary confinement? The answer, in a sense, comes from above in the form of a feeble sparrow he finds in the isolation yard.

A bird dog is a type of gun dog or hunting dog used to hunt or retrieve birds or other small game animals.[1] by tracking their scent in the air. This dog breed has special hunting abilities and they are also trained to retrieve the birds after hunting them down. Bird dogs tend to enjoy the process of hunting and retrieving birds which boosts their efficiency levels. They can be easily trained and are comfortable in family setups.

Generally, bird dog breeds are classified into three types - the pointers, the flushers and the retrievers. This classification is made on the basis of their hunting style and the unique characteristics that they possess.

1. Pointer (dog breed) possess a special trait of locating a game.

2. Flushers trained to stay in quarters close to the hunter so that they can flush the prey.

3. Retriever trained to bring the prey to the hunter.[2]

In the southern United States the term bird dog refers to dog breeds such as the pointer, English setter, Red setter, German shorthair pointer, Nova Scotia Duck-Tolling Retriever, Brittany, and other pointing breeds.

Birds of a Feather was a British sitcom that was broadcast on BBC One from 1989 until 1998. Starring Pauline Quirke, Linda Robson and Lesley Joseph, it was created by Laurence Marks and Maurice Gran, who also wrote some of the episodes along with many other writers.

The first episode sees sisters Tracey Stubbs (Robson) and Sharon Theodopolopodos (Quirke) brought together when their husbands are sent to prison for armed robbery. Sharon, who lived in an Edmonton council flat, moves into Tracey's expensive house in Chigwell, Essex. Their next-door neighbour, and later friend, Dorien Green (Joseph) is a middle-aged married woman who is constantly having affairs with younger men. In the later series the location is changed to Hainault.

Production ceased on Christmas Eve 1998 after a very successful 9-year-run.

by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore -

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

"'Tis some visiter," I muttered, "tapping at my chamber door -

Only this and nothing more."

[

Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; - vainly I had sought to borrow

From my books surcease of sorrow - sorrow for the lost Lenore -

For the rare and radiant maiden whom the angels name Lenore -

Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain

Thrilled me - filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

"'Tis some visiter entreating entrance at my chamber door -

Some late visiter entreating entrance at my chamber door; -

This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,

"Sir," said I, "or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you" - here I opened wide the door; --

Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, "Lenore?"

This I whispered, and an echo murmured back the word, "Lenore!" -

Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

"Surely," said I, "surely that is something at my window lattice;

Let me see, then, what thereat is, and this mystery explore -

Let my heart be still a moment and this mystery explore;-

'Tis the wind and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door -

Perched upon a bust of Pallas just above my chamber door -

Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore -

Tell me what thy lordly name is on the Night's Plutonian shore!"

Quoth the Raven "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning - little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door -

Bird or beast upon the sculptured bust above his chamber door,

With such name as "Nevermore."

But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing farther then he uttered - not a feather then he fluttered -

Till I scarcely more than muttered "Other friends have flown before -

On the morrow he will leave me, as my Hopes have flown before."

Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,

"Doubtless," said I, "what it utters is its only stock and store

Caught from some unhappy master whom unmerciful Disaster

Followed fast and followed faster till his songs one burden bore -

Till the dirges of his Hope that melancholy burden bore

Of 'Never - nevermore'."

But the Raven still beguiling my sad fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore -

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom's core;

This and more I sat divining, with my head at ease reclining

On the cushion's velvet lining that the lamp-light gloated o'er,

But whose velvet-violet lining with the lamp-light gloating o'er,

She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by seraphim whose foot-falls tinkled on the tufted floor.

"Wretch," I cried, "thy God hath lent thee - by these angels he hath sent thee

Respite - respite and nepenthe, from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"

Quoth the Raven "Nevermore."

"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! -

Whether Tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted -

On this home by Horror haunted - tell me truly, I implore -

Is there - is there balm in Gilead? - tell me - tell me, I implore!"

Quoth the Raven "Nevermore."

"Prophet!" said I, "thing of evil! - prophet still, if bird or devil!

By that Heaven that bends above us - by that God we both adore -

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels name Lenore -

Clasp a rare and radiant maiden whom the angels name Lenore."

Quoth the Raven "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting -

"Get thee back into the tempest and the Night's Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken! - quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!"

Quoth the Raven "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon's that is dreaming,

And the lamp-light o'er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted - nevermore!

-Edgar Allan Poe

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